Falstaff

A scene from the Canadian Opera Company production of Falstaff, 2014. Photo: Michael Cooper.

The Canadian Opera Company has started their 2014/2015 season off on a high note. If this first piece is any indication, we are in for an extraordinary season.

Currently on stage, Verdi’s Falstaff is an endearing and engaging comedy, quickly paced and thoroughly entertaining from start to finish. Immediately the audience is tossed into the chaos that is Falstaff’s world. Falstaff (Gerard Finley) lives a decadent lifestyle he cannot afford and he surrounds himself with common thieves. When he looks in the mirror he appears blinded by the aura of faded glory that surrounds him. He sees an attractive, charming creature who has the upper hand at all times, when in reality, the only thing larger than his enormous girth is his massively inflated ego.

When the problem of Falstaff's financial situation sets in, he hatches a plan to pursue the wives of two wealthy gentlemen in the hopes that he can use his Casanova-like charm to loosen their purse strings, allowing him to maintain the standard of living he has become accustomed to. A simple plan, invented by a simple mind that failed to realize one key issue: the women, Alice Ford (Lyne Fortin) and Meg Page (Lauren Segal), know each other and they immediately realize he is pursuing them both. Though they see through his feeble attempt immediately, they decide to string him along and have a little fun.

Once Falstaff has been found out, a plan is concocted to teach him a lesson he’ll never forget and the plot quickly picks up speed offering audiences a thrilling journey full of twists and turns with humour leading the charge in each act.

Director Robert Carsen’s interpretation based on England in the 1950s works perfectly with this piece, from the costumes to the colours, each act is dramatic and beautifully presented. Of particular note is the interior of Alice Ford’s house. Visually this scene is wonderfully nostalgic, offering audiences a charming throwback to the bygone decade. Set designer Paul Steinberg really takes this piece to the next level offering a number of dramatic set changes that had audiences audibly gasping when each was revealed.

Performances to note: Gerald Finley is an excellent choice for the role of Falstaff, which he seems to fall into with ease. Also, the roles of Mistress Quickley, played by Marie-Nicole Lemieux and Mr. Ford played by Russell Braun showcase the enormous talent and versatility of these two artists—they are a treat to watch.

The character of Falstaff truly represents the decadence of life and a joie de vivre that can so easily be forgotten. It’s a powerful message especially when you imagine Verdi, at the end of his life, composing what he knew would be his last opera. He chooses humour, passion and pleasure. This is the message he leaves for the world. It’s an amazing piece and this is a highly entertaining interpretation, an absolute must see.

Falstaff is on stage at The Four Seasons Centre for the Performing Arts until November 1, 2014. A reminder to those under 30, The Canadian Opera Company offers a great Opera Under 30 program. Visit coc.ca for more information and to buy tickets.